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It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. I'm somewhat unfamiliar with the Sennheiser line of microphones. This makes them very different types of mic, each with their own internal circuitry. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. In my experience the KSM8 is a more hi-fi-sounding mic. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. The views expressed are those of the contributors and not necessarily those of the publishers. . shure ksm8/n; . This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. 1:41 Shure KSM9 Only The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. But theres one major difference between these two mics. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. 530 706 Des. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. 3.7 out of 5. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. So having the benefits of that technology available on stage for the live-sound market is very appealing. Exclusive deals, delivered straight to your inbox. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. You can email the site owner to let them know you were blocked. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. KSM8. It is intended for vocal use. This is great for recording ambiences, or in a controlled environment like a recording studio. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. 71 user ratings. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . 531 171. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. The younger sibling of the KSM9 is the Shure KSM8. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Dualdyne capsule continues the ongoing evolution of microphone technology. Shure KSM9 is a professional on-stage condenser mic. Shure KSM8 Shop now at Amazon. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Future Publishing Limited Quay House, The Ambury, No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. Great write up. In my opinion, if budget allows, stretch to a KSM9. 2:11 Shure KSM8 Only AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. With a decent sound system, the KSM9 is startlingly clear and detailed. And lets hope youre not positioned next to the drum kit! At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Single vs. Dual-diaphragm frequency response. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . The KSM9 is slightly more expensive but offers better sound quality and features such as a detachable cable. 0:00 Intro Thats a tough one. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . This website is using a security service to protect itself from online attacks. Find An Answer Browse our vast Answer database for answers to many common technical questions. MusicRadar is part of Future plc, an international media group and leading digital publisher. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. Our robust and effective solutions create market success. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. 3:26 What We Heard The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. You may use these HTML tags and attributes:
, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. Shure KSM9 is a professional on-stage condenser mic. Therefore, if you can afford this mic, go ahead and start digging that difference. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. This means theyre prone to overload and distortion from louder singers. This helps to achievean extremely fast transient responseand make the sound more vivid. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. Also, what's your use case, as this will probably help us guide you towards to best choice! There were four models in AKGs dual-capsule range, starting with the D200. Given the sensitivities of condenser mics, why would anyone risk using one on stage? The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. It may not display this or other websites correctly. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Not much help for the marginal types, though. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. More videos like Shure KSM8 vs. KSM9 | What's the Difference? 10 Albums That Are Complete Masterpieces According to You! Switchable cardioid and super-cardioid patterns. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! 5 () Performance & security by Cloudflare. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Inside, the microphone features a Class A, transformerless preamplifier circuit. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. What's the problem with your 58? Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). 2:46 Shure KSM8 Only However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. the Telefunken M80). Brand New. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). She owns a EW 115, perhaps I could just upgrade the capsule? In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. As low as $62/mo. 1:12 Shure KSM8 Only This is also a good position for any sudden loud notes, or to shape, and tail off a long note. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. and all parts are high grade. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. KSM8 is a dynamic with a darker tone. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. It's the industry standard live vocal mic. Despite being a condenser, the design is well adapted to gigging. Any artist or singer who has enough money for professional gear could use KSM9. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. For many live situations, a decent dynamic mic may be good enough. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. This model is renowned and remains a favorite choice of many musicians. The KSM8 is not necessarily an upgrade. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. Thank you for your request. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. As a premium mic, the KSM9 is certainly pricey. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Essential is part of Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. Where you hold the microphone in relation to your mouth can make a big difference in sound. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. Sound Forums Network, LLC was co-founded by David Karol and Bennett Prescott to provide and preserve a home for audio professionals around the world. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. All rights reserved. . Both mics have their pros and cons, so it can be tough to decide which one to buy. . Shure: KSM8 & KSM9 Microphones. BA1 1UA. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. The Sennheiser also has a slightly larger diaphragm than the Shure. This is to stop little bursts of air causing bassy pops on your studio recordings. Shure QLXD2/KSM9. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. Turn your old gear into new gear with the Sweetwater Gear Exchange! It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. Shure KSM9 Shop now at Amazon. KOHN MUSIC STORE. Shure KSM8 vs Shure KSM9. 5/8" to 3/8" (Euro) Threaded Adapter. All rights reserved. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. The polar response also behaves differently with both frequency and source distance. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. It is also a great option for those who are looking for a microphone that is durable and easy to use. SHURE KSM9/CGShure118800! There are no user-serviceable parts inside. Features. 25 Feb/23. She will be using IEM with this mic. Traditional microphones confine the performer to a specific distance from the microphone. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. The latter also feels more nuanced and detailed in its response. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. Bath The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. However, some singers will need more control over the way their voice sounds. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. However the KSM9 is noticeably cleaner and brighter. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. 27 Wormwood St An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! Free Shipping. The user should not attempt to remove or replace this lining. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. He is always eager to try new creative endeavors and uses them as inspiration in her writing. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. Big venue or loud stage this mic will definitely cut through the . Why you can trust MusicRadar Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. As expected from professional equipment, youll get that superior quality and low noise levels. i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid If you want the best quality XLR cables, try these. Forums for Audio Professionals, Run by Audio Professionals. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. The active and passive diaphragms differ in that the active (top) one has a coil attached. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. Strategically positioning and bringing to life new brands. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. The grille interior is lined with a hydrophobic woven fabric. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. A25E. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape.